EQIUPMENTS

ARRIFLEX 416 PLUS HS

OVERVIEW

In response to market demand, we are offering ARRIFLEX 416 Plus HS camera. Based on years of camera knowledge, market research and focus groups with renowned industry professionals, we thought to introduce ARRIFLEX 416 Plus HS camera in the film industry.

ARRIFLEX 416 Plus HS camera is lightweight, modern Super 16 film camera, with a 35-style viewfinder and a mirror shutter that can be manually adjusted from 45 to 180 degrees. The 416 Plus HS runs from 1 to 150 fps. A completely new lightweight ergonomic design, integrated electronic accessories in the Plus cameras and compatibility with the same lenses and accessories used by their 35 mm siblings make the 416 cameras the most powerful, flexible and portable Super 16 cameras ever built.

ARRIFLEX 416 MODEL COMPARISONS

TECHNICAL DETAIL

Fps : 1-150
Shutter : Manually adjustable to: 45, 90, 135, 144, 150, 172.8, 180 degrees
Film Format : Super 16 mm, conforming to DIN 15602 and ISO-5768-1998
Film Gate : Super 16 only (12.35 x 7.5 mm, 0.486 x 0.295 inches)
Lens Mount : 54 mm stainless steel PL mount
Sound : <29 db(A) @ 24 fps
Flange focal distance : 52.00 mm -0.01
Movement : Silent precision movement, single pull down claw, single registration pin. Pull down pitch adjustable
Viewfinder Eyepiece : Same 8x eyepiece as 235
Eyepiece Extension : Same short and medium extensions as 235
Ground Glass : 16SR 3 fiber optic screens
Arriglow : RGB ARRIGLOW with custom combination of red, green and blue, separate brightness control on camera left side
Weight [1] : 5.8 kg/12.8 lbs
Power Input : 24 Vdc nominal, accepts 21 to 35 Vdc
Battery : Intelligent 29.6V Lithium-ion On Board Battery OBB-2, lasts 5 magazines and about 2 hours in standby 80 Watt/hours at 950 g/2 Lbs with built-in power gauge (comparison: 16SR 3 battery had 29 Watt/hours at 870 g/1.9 Lbs)
Accessory power outputs : 1x 24 V RS connector on 416, or 2x 24 V RS connector on 416 Plus & 416 Plus HS 1x 24 V REMOTE connector 1x 24 V Heated Eyecup connector 2x 12 V MINI MONITOR connectors on IVS -20°C to +50°C (+4°F to +122°F)
Temperature Range : -20°C to +50°C (+4°F to +122°F)
Magazine : 416 Shoulder Magazine 120/400 (SHM-3), Time code module optional
Time code : Time code Continuous barcode on film edge, 80 bit according to SMPTE RP 114 (same as on 16SR 3) Time code & User bits window burn in and VITC on video assist possible [1] Camera body, viewfinder, eyepiece, IVS, magazine and film All data subject to change without notice

LENCES

Cinematic Quality for Super 16

Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality. All Ultra 16 lenses (6, 9.5, 12, 18, 25, 50 mm) cover the full Super 16 format and are fully compatible with the optical quality, color balance and ergonomics of the other ARRI lenses. The Ultra 16 lenses are the perfect companions to the new Super 16 cameras, the ARRIFLEX 416, 416 Plus and 416 Plus HS.




Complete Set of Close Focus Super 16 Primes :

6, 9.5, 12, 18, 25 & 50 mm

High Speed - T1.3

  • » for complete control over depth of field
  • » for shooting in low or available light
  • » for natural looking images
  • » for fast paced production environments
  • » for tight lighting budgets
  • Smooth & Robust Mechanics

    Highest Optical Performance

  • » high contrast and resolution
  • » T* XP coating ensures flare resistance
  • » image geometry free of distortions even at wide angles
  • » minimized chromatic aberration
  • » minimal breathing